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Three Bollywood films grossed three million pounds in box-office collections last year, according to industry figures.

Indian films Om Shanti Om, Namastey London and Partner are among the foreign productions that are increasingly collecting large sums in Britain, according to the Film Distributors Association.

For several years now, Bollywood films have figured in the Top 10 blockbusters in Britain as Indian producers increasingly use British Asian diaspora themes, locations and production facilities.

The UK is seen as the world's number one market for Bollywood productions outside India. DVD distributors also cite a growing interest in foreign language films from UK audiences.


The Film Distributors' Association said the growing popularity of foreign films reflects an "ongoing process of sophistication" and is helping to bolster already rising UK cinema revenues.

In 2007, there were 525 new film releases in the UK from at least 49 countries, according to the association.

There have also been UK audience gains for less-established exporters, including Romanian cinema with the recently released backstreet abortions drama 4 Months, 3 Weeks and 2 Days.

- Press Trust of India

Labels: bollywood, box, film, gossip, gossips, latest, news, office, om shanti om, oso

Eros International, the leading integrated company within the Indian media & entertainment sector announces an unprecedented opening of Shah Rukh Khan’s Om Shanti Om, produced by Red Chillies Entertainment and directed by Farah Khan. The film opened to rave reviews and advance bookings on the 9th November and has since grossed over US$19 million worldwide in its first week making it the most successful opening in Indian cinema history.

Om Shanti Om released across 1,400 plus screens globally, and for the first time saw screenings as early as 7.45 a.m. in certain multiplexes in India, making it one of the most anticipated films in recent times. Om Shanti Om’s staggering first week gross collections of US$13.5 million in India make it the best ever opening there. The figures overseas are no less remarkable with the film grossing $1.5 million at the UK box office and over $2million in North America in its first week.

With the film opening in cinemas in India to a fantastic 95-100 percent capacity audiences and maintaining a steady 80-90 percent from Monday, Om Shanti Om promises to be the biggest film of SRK’s career.

Om Shanti Om stars Shah Rukh Khan and Deepika Padukone in pivotal roles. The film's score and soundtrack has been composed by the musical duo, Vishal Shekhar with lyrics by Javed Akhtar. Cinematography for the movie is by V. Manikandan whilst editing is handled by Shirish Kunder.

Om Shanti Om is a story of love, dreams, betrayal and destiny revolving around a film actor ‘Om’ (Shah Rukh Khan) and his love interest ‘Shanti’ (Deepika Padukone). Om was a junior artist and Shanti a superstar in the 1970’s. He was her biggest fan. She was his biggest inspiration.


The film has over 30 of Bollywood's hottest stars including Salman Khan, Rani Mukherjee, Kajol, Sanjay Dutt, Priyanka Chopra, Preity Zinta, Saif Ali Khan and many more putting in a guest appearance.

Eros has previously distributed Main Hoon Na as well as Paheli, which are both Red Chillies Productions.

With Om Shanti Om, Eros International continues its successful line up of global releases including hits like Omkara, Salaam-E-Ishq, Eklavya, Provoked, Namastey London, Cheeni Kum, Partner, Gandhi My Father, Heyy Babyy etc.

- Eros Entertainment Press Release

Labels: actors, actress, bollywood, box, celebrity, deepika, entertainment, eros, gossips, indian, news, office, om shanti om, padukone, reviews, shah rukh khan

Two big ambitious projects are ready to hit box-office this festive season. SRK and Farah Khan’s ‘Om Shanti Om’ and Sanjay Leela Bhansali’s ‘Saawariya’. Taking a close look at them, one realizes that both are following the same marketing target via different routes.




For ‘Om Shanti Om’, everyone is quite aware of SRK’s shirtless ‘Dard-e-disco’ and flaunting six-pack abs. And For ‘Saawariya’, there is a rumour going round that RK Banner’s next big hope, Ranbir Kapoor, will be seen prancing around in a see-through white towel (how RK-ish, remember all those RK heroines wet and white?).




Both the movies have a new female face and where Sonam Kapoor was forbidden to show her face before SLB gave the green signal, Shah Rukh’s co-star Deepika Padukone’s celebrity face was too well-known to be kept in ‘Purdah’.




both the directors have kept mum about their basic storyline. Only producer SRK and director Farah Khan are so friendly and fun-loving and Bhansali is so brusque and bristly that one tends to put them both in different categories.




Hmmm.. whatever marketing strategies maye be, with Ranbir Kapoor’s butt versus SRK’s shirtless abs, Bollywood Box Office is all ready this festive season for some good fireworks.

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If you see Dhol and the other all-boys' comedies, you would agree dumbing -down is the order of the Friday.

Nevertheless Javed Akhtar's rhyming scheme in the track Dard-e-disco in Om Shanti Om comes as a bit of a shocker.

The lyric goes, " Dil mein mere hai dard-e-disco…. Phirta hoon main New York, Paris, LA, San Francisco…Dil mein mere hai dard-e-disco…Wohchhod gaya mujhe peechle mahiney ke 26 taarikh ko…Dil Mein mere hai dard-e-disco …

Er…. . It's the time to disco for Javed Saab. After Gulzar's dime-store prattle in Jhoom Baraabar Jhoom it's the the other bard's turn to get verse.

Laughs Javed Saab, "You must understand every song in a film has to go with the given situation and character. The dumbing-down, as you call it, in Dard-e-disco comes from the fact that the guy who sings it, a is a bit of silly goose, not exactly intellectually equipped to sprout poetry.

In the film-within-a-film in Om Shanti Om it's shown that the hero (played by Shah Rukh) insists that an absurd song be composed for him to sing and dance on stage.

While writing lines I had to constantly keep reminding myself that the song wasn't for Shah Rukh but the character that the Star plays in a film within the film. We had to constantly keep checking my poetry to make sure it didn't sound intelligent. Every time I'd come up with a poetic image I'd be shouted down. "

We've had instances of lyricists trying to sound more poetic than they are capable of being. This is the first occasion when a poet actually had to scale down his skills to accommodate the character's intellect.

- SantaBanta . Com

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